Evita

As one of the reasons my interest in Buenos Aires was piqued all those years ago was Evita the musical, we decided to pay a visit to the Evita museum. I realised as I entered, that my knowledge of one of Argentina's most famous figures was based almost entirely on the musical - a portrait which, during the two hours I spent in the museum, I came to understand was neither that accurate nor did it do her justice.

The museum is located in a spectacular building on Lafinur, just on the edge of the upmarket Recoleta district. Originally a hotel dating from the turn of the 20th century, the building was taken over by the María Eva Duarte de Perón Social Aid Foundation in 1948 as a temporary home for women and children. The entrance hall boasts parquet flooring, a grand sweeping staircase and huge chandeliers. I felt like a princess when I descended the stairs to leave the building.

The exhibition is organised into moments of Eva Perón's life; which in a way was our over-riding criticism, as it was difficult to get a full idea of the pattern of events without a chronology. But for me, a minor point.

Starting with an introduction to the myths surrounding Evita - the rather predictable saintly mother figure versus power-hungry strumpet - the first stop was her death: a wall-sized projection of the scenes from her wake and funeral, with the abundant throwing of flowers and outpouring of public grief somewhat reminiscent of Princess Diana.

Next, we started to unlock her past: a look at her childhood brought up out of wedlock, her move to the city with her mother and subsequent minor success as an actress, before an earthquake relief event crossed her path with Perón's.

Upstairs focused on her relationship and marriage to the future president as well as her political career. The room of her good will tour immediately caught my attention. Here's why:

Throughout the museum were numerous outfits, many accompanied by photographs of them in use. Exquisite 1940s tailoring and design and a very interesting spotlight on the era's fashion.

The next rooms were what really took me by surprise: Eva Perón's political career. I had (wrongly) assumed that she was simply famous for being the wife of an important man - albeit she from very low birth who rose to one of the most powerful positions in the country. What I didn't know was how active she had been in social issues in her country. Her charitable foundation built schools, housing for workers, holiday camps for poor children and health clinics. It ran temporary shelters for women and children, orphanages, homes for senior citizens, nursing schools and a plan for agrarian reform. Need I go on? Well yes, she was a leading voice in the campaign for suffrage, helping to secure the vote for women in Argentina.

To me this was a perfect testimony; that aside from the myths, the speculations around her death and the slurs on her character, she was a woman who achieved, and who used her new found position and power to help other women, and those most in need in her society. Stripping everything else away, for this, Eva Perón deserves to be recognised and applauded.

"I seize this opportunity to tell all Peronist fellow workers ("compañeros") that in the women's party we are organizing there are no divisions, we are trying to collaborate [...] I want you to see in General Perón's wife not an old-style feminist, but a modern, constructive one aware of men's importance and women's potential. We are not struggling for group domination. We are struggling to leave a greater, fairer and merrier Motherland than the one we encountered in the past." Eva Perón, 'The Reason for my Life' (Chap. 53)